Ultra-realistic sci-fi horror. Abandoned corporate office building at night. Broken glass, flickering emergency lights, overturned desks, exposed wiring, rain hitting shattered windows. Fast-paced chaotic handheld cinematography, Dutch angles, whip pans, crash zooms, speed ramps, dramatic bullet-time moments. Sound: heavy breathing, glass crunching, alien screeches, electrical buzzing, distant thunder, aggressive dog growls.
Video prompt library
AI Video Prompts Library
Browse 2,279 AI video prompts collected from creator posts and open prompt repositories. Watch original clips, copy full prompts, and credit their authors under the license shown.
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Anime-cinematic style F1 short film, 15 seconds, high pacing, multiple rapid cuts. Character: KAEL ARVAN, 21-year-old male, sharp angular jaw, dark undercut hair, bright amber eyes. Vivid red F1 racing suit with white and electric blue accents, number 21. Glossy white helmet with red and blue graphic stripe. Red ARVAN MOTORSPORT F1 car. Bright cinematic lighting throughout — clear blue sky, blazing midday sun, golden light. Clip sequence: 1. Extreme close-up of amber eyes behind visor — cold, locked in. 0–2s 2. Red gloved hands gripping the wheel, engine vibrating. 2–3s 3. Cockpit POV — track rushing ahead at high speed, sun-drenched straight. 3–5s 4. Low angle side shot — red car overtaking another car, sparks flying in daylight. 5–7s 5. Aerial wide shot — two cars wheel-to-wheel, colorful packed grandstands, clear blue sky above. 7–9s 6. Front-facing tracking shot — Kael's red car charging head-on toward camera, helmet visor reflecting the sun. 9–11s 7. Red car blasting across the finish line, confetti exploding from the stands, crowd on their feet, flags waving — fast cut energy. 11–13s 8. Quick cuts: fans screaming, arms in the air — red car doing a victory lap, smoke from the tires — Kael's fist raised out of the cockpit. 13–15s Visual style: anime-influenced cinematic illustration, vivid saturated colors, clean sharp linework, high contrast sunlight, warm golden lens flares, no dark or moody tones. High energy fast cuts throughout, no slow motion. Cinematic aspect ratio 16:9 dimension.
Cinematic golden hour FPV of a vintage 1969 Dodge Charger racing up a scenic winding mountain road with epic cliffs and ocean views. Camera smoothly tracks from low angles, intense close-ups on the rumbling V8 engine and chrome details, driver shifting gears, sweeping panoramic shots around tight corners with tire smoke, warm sunlight piercing through pine trees, rich filmic color grading, realistic physics and beautiful motion blur.
10-second cinematic sequence Camera Style: 35mm lens look with shallow depth of field, smooth cinematic tracking shots with a subtle handheld warmth Lighting: Golden hour sunlight, warm color palette, soft natural highlights with gentle lens flare Environment: Scenic coastal highway running alongside the ocean, vintage car in motion, light sea breeze, wide open horizon Scene & Motion Direction: 0–2s: Wide tracking shot of a vintage car driving along a coastal road. Ocean waves roll beside the highway, sunlight shimmering on the water. Wind subtly flows through the open car windows. 2–4s: Interior mid shot inside the car. A couple laughs naturally, relaxed and unposed. A cassette player is visible in frame. Their hair moves slightly with the breeze as warm sunlight softly illuminates their faces. 4–6s: Cut to a roadside stop. The couple stands near a small ice cream stall, casually sharing ice cream. Their posture is relaxed, expressions soft and genuine. The ocean remains visible in the background. 6–8s: Close-up shot. One of them holds a Polaroid camera and takes a quick, natural photo. The shutter moment is captured with light laughter continuing in the background. 8–10s: Final shot. A Polaroid photo slowly develops in their hand, gradually revealing the image. They stand beside the vintage car with the ocean behind them, bathed in warm golden light. The camera lingers on the developing photo as the sunlight fills the frame. Key Realism Notes: Natural human interaction, no exaggerated expressions, consistent golden hour lighting throughout, realistic vehicle motion and wind behavior, and smooth, seamless transitions between shots.
Men piloting the spaceship when suddenly an alarm goes off, intense atmosphere. [cut] close-up shot of a military radar showing a danger alert as another object approaches the spaceship. [cut] one pilot checks the radar and shouts: "We've got something behind us!" [cut] the other pilot starts turning the steering wheel sharply. [cut] aerial shot of the spaceship suddenly turning and flying extremely fast. [cut] front shot of an alien woman with Aries-like hair horns and a robot sitting in another spaceship cockpit, the woman turns to the robot and says enthusiastically: "Oh... we're so gonna catch 'em!" [cut] the woman focuses on the steering and starts speeding up. [cut] aerial shot of one spaceship following the other, flying extremely fast. No music.
A young couple with playful dogs are building a house on a rooftop in a large city. The rooftop is initially empty, and the couple is seen with tools and blueprints. They build the wooden house, starting with the beams and then the walls. They construct the swimming pool and plant flowers, grass, and tropical plants. The shot changes every 2 seconds, with dynamic, moving shots.
Title: The Woman Who Stopped Time A vibrant city square glows beneath the warm light of golden hour, crowded with people, movement, and everyday sounds. At the center stands a captivating young street performer, dressed in a flowing dark coat, fingerless lace gloves, and a wide-brimmed hat that casts a subtle shadow over her face. Her presence is calm yet enigmatic, drawing attention without demanding it. She slowly raises her hand, fingers extended, her gaze fixed and unwavering. With a crisp snap of her fingers, time comes to an immediate halt. The entire square freezes in an instant. Pigeons remain suspended in midair. A man’s laughter is trapped on his face. A child hangs motionless at the peak of a jump. Coins tossed moments earlier float weightlessly like scattered fragments of light. An eerie silence settles over the scene as rose petals from a nearby flower stand linger motionless in the warm amber glow. Moving effortlessly through the frozen world, she explores the stillness with quiet confidence. She gently straightens a woman's crooked glasses, plucks a hovering coin from the air, and gracefully spins between two motionless street vendors, a playful smile appearing on her lips. The camera glides smoothly beside her at shoulder height, drifting through the frozen city like a silent observer. Eventually, she returns to the exact spot where it all began. She adjusts the brim of her hat, closes her eyes, and takes one slow, measured breath. Another snap. Time rushes back all at once. Pigeons burst into flight, conversations resume mid-sentence, laughter echoes through the square, and coins fall to the pavement with sharp metallic clinks. The crowd continues moving as though nothing unusual ever happened. Amid the chaos, she lowers her gaze to her hand. Resting in her palm is a single gold coin she claimed from the frozen moment. A subtle, satisfied smile appears. The camera slowly pulls away as the bustling city swallows her back into the crowd, leaving only the lingering feeling that, for a brief instant, time itself belonged to her.
15-second cinematic video where [small object] transforms into or reveals [immense world / creature / machine]. start with an extreme macro shot of [texture / symbol / surface detail]. the camera glides across it as if it is landscape, then gradually reveals that the texture belongs to [true subject]. trigger the transformation with [energy / touch / impact / sound]. the camera performs a continuous pullback or orbit while [layers unfold / mechanisms open / organic forms awaken]. midway, shift into a dramatic vertical or overhead angle to show scale. end with the object fully transformed into [final form], interacting with [environment] in a powerful, visually coherent way.
Please generate a high-quality, ultra-high-definition, and clear 16-grid storyboard image with the theme "Underwater Dance of the Goddess of the Luo River". 【Overall Positioning】 This is not an ordinary poster, nor a single ancient-style photo, but a complete 16-grid dance storyboard. The entire image should resemble a professional choreography storyboard reference, with each grid showcasing different consecutive movements of the same Eastern goddess in the same underwater scene. The overall design should possess a strong sense of cinematography, movement design, dance narrative, and visual unity, making it suitable for subsequent video generation reference. 【Layout】 - 4x4 layout, 16 panels in total - Each panel must be clearly numbered: 1-16 - Each panel must have a Chinese subtitle - Each panel can include 1-2 concise Chinese action descriptions - Each panel should show the full body or most of the body to ensure the action is recognizable - The overall design should resemble a professional dance storyboard/panel, not a cluttered poster. 【Scene Setting】 - The scene must be a real underwater space, not on the shore, on the water's surface, or a shallow, mirrored stage - The overall environment should be dark, with a deep blue, dark blue, or bluish-black underwater background - One or more beams of warm gold, golden yellow, or slightly orange-gold divine light pierce through the water from above - The character is in the core area of the beam, with their body relatively bright, and their face, shoulders, arms, skirt, and clothing sculpted by the light - The surrounding environment should be dark to create a sense of mystery in deep water - There must be flowing water ripples and dappled light and shadow at the bottom - A small number of tiny bubbles, suspended particles, and water textures are allowed in the space. The overall design should evoke the spectacle of an oriental goddess in deep water, avoiding a swimming pool or modern studio feel. 【Character Design】 - Same young adult Chinese female dancer - Elegant, gentle, ethereal, and divine, like an oriental goddess from the legend of the Goddess of the Luo River. - The character's appearance, clothing, and hairstyle should remain highly consistent across all 16 frames; avoid making each frame look like a different person. - The face should be delicate yet natural, avoiding a greasy, internet-famous look. 【Clothing and Color Scheme】 - The main garment should be in a dark green, turquoise, dark green, and peacock green color scheme. - Paired with long red, orange, and warm orange ribbons/sashes/tie ribbons. - Includes a small amount of exquisite gold jewelry: gold headdress, necklace, armlets, waist ornaments, etc. - The overall clothing should be magnificent, classical, and strongly evoke the image of an oriental goddess. - Ribbons, skirts, sleeves, and hair should have a realistic floating and trailing effect in the water. - They shouldn't appear to be flying in the air; they should have a sense of underwater resistance and delay. 【Visual Style】 - Realistic, cinematic, magnificent, mysterious, and imbued with oriental aesthetics. Emphasizing underwater buoyancy, ribbon-like trails, divine light, and the dark atmosphere of deep water – not illustrations, not cartoons, not rough sketches – it should resemble a high-quality dance storyboard – each frame of movement must be distinctly different, not just a matter of changing angles for posed shots – the overall effect should possess the quality of underwater dance: slow, soft, floating, beautiful, and divine.
15-second cinematic video of [specialized vehicle] outrunning [extreme weather event] across [open terrain]. begin with a calm but ominous wide shot of [sky / horizon / environment]. the vehicle enters frame at high speed, and the camera locks into a side chase as [weather force] tears through the terrain behind it. the vehicle dodges [obstacle 1], blasts through [obstacle 2], and performs [impossible but safe maneuver]. use drone pursuit, wheel-level spray, cockpit reflection shots, and long-lens compression. end with the vehicle escaping into [safe structure / clear zone] as the storm fills the background.
the camera is attached to the roof of a riding car, focused on the road sign and zooming in to the sign in the classical 80's movies style
Alien sky above a glowing planet: two massive capital ships in a high-speed orbital duel, constantly repositioning, never stationary, supported by a small wing of elite fighters. Combat is tactical, fast, and asymmetric. Wide orbital shot: both ships curve along different trajectories around the planet, never aligned, trading long-range fire across distance. Dynamic sweep: camera arcs with one ship as it rolls to present shielded sections, deflecting incoming fire while returning calculated shots. Cut across space: the opposing ship accelerates laterally, changing angle, forcing shots to miss or glance off shields. Fighter deployment: small units launch mid-maneuver, already compensating for velocity, diving toward predicted intercept points. High-speed tracking: camera follows a fighter cutting diagonally across the battle, threading between long-range beams and debris. Near-miss moment: a capital ship’s main weapon fires slightly off-target due to motion, the beam slicing past and grazing structure instead of a direct hit. Tactical shift: one ship uses the planet’s curvature, dipping lower into atmosphere glow, partially obscured, forcing the other to adjust trajectory. Precision breach: fighters exploit a brief shield misalignment during a turn, striking a localized section without stopping the flow of battle. Damage response: the hit ship doesn’t stall; it rolls, vents energy, and accelerates away, stabilizing while still firing backward. Final escalation: both ships now on intersecting but offset paths, firing continuously while moving at high speed, the battlefield stretching across space instead of collapsing into a single point. No hovering, no direct standoffs, constant motion, realistic spacing, tactical positioning, momentum-driven combat, cinematic but physically grounded, high-detail sci-fi realism.
Cinematic, high-speed tracking shot running parallel to a getaway car tearing down a narrow, graffiti-covered alleyway at night. Trash cans are clipped and sent flying, chain-link fences blurring past in the foreground. Head-on camera retreating just ahead of the car. High rooftop angle looking straight down the alley. Gritty, realistic street lighting, intense sensation of raw speed, 8k cinematic realism.
Master Style Anchor 3D animation, cinematic lighting, rich saturated colors, 4K ultra HD — Boy is young, rosy-cheeked, red tunic, mischievous grin; Wolf is large, dark grey, glowing amber eyes, menacing but expressive; Villagers are a mix of warm friendly townspeople. Consistent character design throughout. No subtitles, no watermarks.
Woman, black hair, pink neon crown, ragged hood, ragged clothes, cyberpunk, part machine, monster
Ultra-realistic horror-thriller. Large abandoned wooden barn at night. Moonlight streaming through gaps in old wooden walls. Hay bales, farm equipment, hanging chains, dust floating through the air. Fast-paced chaotic cinematography with handheld camera, Dutch angles, whip pans, crash zooms, speed ramps, and dramatic bullet-time moments. Sound: heavy breathing, creaking wood, distant thunder, footsteps on hay, fox snarls.
[0:00-0:03] Wide shot of a muscular man who folds his arms, raise a brow, and says, "?!” [Cut: 0:03-0:06] medium shot of the man who says, "?!!" [Cut: 0:06-0:09] close up of the man who says, "?!!!" [Cut: 0:09-0:12] ECU of the man's mouth, then tilt up to his shocked expression as he says, "?!!!!"
Street food chef cooking at a busy night market, dynamic time progression from prep to serving, cinematic realism.
15-second continuous single-shot. No cuts. No scene transitions. Style: whimsical fantasy creature, sketchbook concept art come to life, hand-painted watercolor and ink illustration, expressive animation, charming storybook aesthetic, soft fur textures, playful fantasy world, warm lighting, detailed character acting, cute but mischievous personality. A fluffy white creature with enormous ears and oversized eyes stands alone in a peaceful forest clearing. Beside him rests a giant magical crystal almost twice his height. 0–3s The camera slowly approaches. The creature notices the crystal and tilts its head curiously. Its giant ears twitch. 3–6s It cautiously pokes the crystal with one tiny finger. Nothing happens. The creature looks disappointed. 6–9s It pokes the crystal again. Suddenly the crystal begins glowing softly. The creature freezes. Its eyes grow enormous. 9–12s The glow intensifies. The creature panics and frantically tries to hide behind the crystal even though it is clearly visible. Its ears flap wildly. 12–15s The crystal releases a harmless burst of sparkling light. The creature stumbles backward, falls onto its fluffy bottom, then slowly peeks over its own ears to see if the danger has passed. Final frame: The creature sits on the ground surrounded by floating magical sparkles, blinking in confusion while trying to look brave despite being completely terrified. Negative prompt: No horror, no monsters, no violence, no weapons, no combat, no dark atmosphere, no text, no logos, no extra limbs, no deformed anatomy, no realistic animals, no camera cuts, no scene changes.
Style: Fantasy adventure video game, FPV first-person perspective, cinematic realism, cozy magical atmosphere, slow immersive exploration, soft golden-hour lighting, high-detail environment, 15-second vertical video pacing [00:00-00:07] One continuous FPV walking shot along a winding stone path into a charming tiny hillside village at golden hour. The camera moves slowly and naturally with gentle footstep motion, no fast cuts, no sudden camera turns. Round green doors are built into grassy hills, warm lanterns glow beside curved windows, flower gardens bloom along wooden fences, smoke rises from stone chimneys, and colorful cloth banners flutter in the breeze. The player slowly looks left toward a stream and wooden bridge, then right toward cozy homes and gardens. The player softly says, "Whoa… this place is incredible." UI overlay stays fixed on screen: green health bar top left, circular mini-map top right, small interaction prompts bottom right. SFX: soft footsteps on stone, birds chirping, flowing water, distant village chatter, gentle fantasy music. [00:07-00:12] The same continuous FPV shot continues deeper into the village square. The camera walks slowly past market stalls with fresh bread, apples, herbs, candles, and handmade crafts. Villagers carry baskets and wave warmly. A friendly villager near a flower cart smiles and says, "Welcome, traveler. First time in the hill village?" The player replies, "Yeah… I’ve never seen anything like this." The camera gently tilts up to show a huge ancient tree, glowing lantern strings, and firefly-like magic lights drifting around the square. SFX: cheerful voices, wooden signs creaking, oven crackle, soft wind through leaves. [00:12-00:15] Slow FPV movement reaches a grassy overlook above the village. The camera stops, then slowly pans across the full magical settlement below: glowing lanterns, round hill homes, winding stone paths, blooming gardens, tiny bridges, chimney smoke, and golden sunset light washing over the hills. A village elder beside the path says, "Stay awhile, traveler. The hills remember every story." The player quietly answers, "Then I want to hear them all." End on a calm peaceful reveal of the entire village. SFX: uplifting orchestral swell, soft village ambience, final magical chime. Camera guidance: slow continuous walking pace, long takes, gentle head movement, no rapid cuts, no fast montage editing, no sudden zooms, no action pacing, no shaky unreadable camera.
A gigantic elegant “MORNING” title made of glowing golden glass and polished white marble already placed at the center of an ultra-luxury breakfast table, the letters reflecting warm sunrise light while fresh coffee steam drifts naturally around the typography Pancakes dripping with syrup, croissants breaking apart into floating crumbs, strawberries and berries rolling across the table, orange juice splashing in slow motion beside the glowing letters, butter melting realistically over warm toast while sunlight floods the entire scene Luxurious modern penthouse kitchen during sunrise with massive panoramic windows, golden morning rays illuminating marble surfaces, soft shadows, cinematic steam and ultra-realistic food textures creating a premium Hollywood breakfast commercial atmosphere Starts with a smooth cinematic close-up on coffee steam rising beside the glowing “MORNING” letters, elegant camera slide across the breakfast table revealing detailed food textures and reflections, slow orbit movements around syrup dripping over pancakes beside the typography, macro shots of croissant crumbs and fruit splashes interacting with the letters, soft cinematic depth of field, realistic liquid simulations and warm volumetric sunlight filling the frame, subtle speed ramps enhancing floating particles and steam movement, ending with a wide cinematic reveal of the entire luxurious breakfast setup beneath the radiant “MORNING” title while golden sunlight fully fills the room and steam rises peacefully around the elegant typography like the opening shot of a premium Hollywood breakfast advertisement
15-second ultra-cinematic anime fantasy sequence at twilight. A quiet railway station sits alone in the middle of an endless sea of clouds beneath a purple-orange sunset. The platform appears abandoned, illuminated only by old lanterns swaying gently in the wind. A young girl wearing a school uniform stands alone holding a small suitcase. She looks down the empty tracks disappearing into the horizon. In the distance, a mysterious train slowly emerges from glowing mist. Its windows shine with warm golden light. The train glides silently across the clouds as if floating through the sky. As it arrives at the station, the girl steps aboard. The camera follows her through the train corridor where each window reveals a different memory instead of landscapes. One window shows her as a child running through summer fields. Another reveals a snowy winter day. Another shows a forgotten friend waving goodbye. The memories move like living scenes beyond the glass. Soft particles drift through the train interior while sunset light fills the carriage. The atmosphere feels nostalgic, dreamlike, and emotionally powerful. The girl pauses beside a window showing a younger version of herself smiling. She gently places her hand against the glass. Final cinematic moment: the train departs the station and travels into the sky among the clouds while hundreds of glowing memories float around it like lanterns in the night. Style: premium anime film quality, emotional fantasy atmosphere, beautiful sky colors, dreamlike cinematography, nostalgic storytelling, soft lighting, floating particles, highly detailed backgrounds, magical realism, no text, no overlays. Audio: emotional orchestral anime soundtrack, soft piano, warm strings, distant train ambience, wind through clouds, subtle magical sound design.
Theme: Surreal miniature rescue mission — giant intervention in a flooded diorama Visuals: A hyper-realistic miniature diorama of a flooded city street with detailed brick buildings. Murky brown floodwater fills the street, containing debris and a submerged white van. Miniature human figures are stranded in the water. A giant, realistic human hand holding a metal kitchen mesh strainer enters the scene. Moody, overcast lighting with a stormy sky. Camera: Static camera position initially, maintaining a macro photography aesthetic with shallow depth of field. As the hand lifts, the camera gently tilts upwards to follow the action to the rooftop. Style: Hyper-realistic, macro/miniature photography, surrealism, cinematic lighting, tilt-shift effect Action + Sound Design: A giant human hand holding a metal kitchen strainer descends from above into the flooded miniature street. It smoothly scoops up a group of miniature people struggling in the muddy water — splashing water + subtle metallic clink + distant stormy wind cut The hand steadily lifts the strainer out of the water. Thick, muddy water pours and drips realistically through the wire mesh back into the flooded street below. The camera tilts up slightly to follow the ascent — continuous water draining + dripping + splashing back into the pool cut The hand moves the strainer over to the flat, green roof of a nearby miniature brick building. The strainer comes to rest at the edge, and the miniature people begin to step out of the strainer onto the safety of the ro
High-end Japanese action anime style. A hyper-paced, 15-second fluid "Sakuga" training exhibition focusing on elite martial arts choreography, ultra-realistic rain physics, and explosive camera speed ramping. 00:00–00:03 (The Stance & Environmental Shockwave) Camera: Low-angle shot tracking heavy rain droplets splashing onto a dark Tokyo alleyway puddle, rapidly whipping back into a dynamic medium shot of a muscular young male martial artist with a slicked-back undercut. Action: He drops instantly into an ultra-low traditional karate stance, shifting his weight with immense force. FX & Sound: The sudden stance shift creates a sharp kinetic shockwave that violently blows away all surrounding rain droplets in a perfect circle. SFX: Loud, crisp clothing snap "fwoosh", followed by a deep bass boom echoing off the walls. 00:03–00:06 (Yakuza Martial Arts Hand Choreography) Camera: Rapid whip-pans circling the character at a 360-degree angle, mixed with brief slow-motion framing. Action: He executes a blazing-fast sequence of traditional yakuza-style close-quarters punches, parries, and open-palm strikes into the empty air with absolute mid-air stops. FX & Sound: White cinematic speed lines and sharp air-distortion ripples tear through the rain trails. SFX: Sharp, classic martial arts movie accent punches—crisp "thwack", "pah", and heavy wind-tearing "whoosh" audio cues layered over the heavy rain. 00:06–00:09 (The Neon Blade Manifestation) Camera: Extreme close-up of his focused, intense eyes, then rapidly zooming out to follow his right arm crossing his torso. Action: He extends his right hand into the falling rain, and a sleek, translucent "Katana blade made of pure neon-amber kinetic energy" instantly materializes directly into his grip. FX & Sound: Rain hitting the energy blade instantly vaporizes into beautiful, glowing white steam twisting around his body. SFX: A sharp, metallic digital ring "shiiing" blended with a classic cinematic sword-drawn resonance. 00:09–00:12 (High-Speed Sword Stance Progression) Camera: Dynamic side-view tracking shot using sharp time-remapping (fast-to-slow speed transitions). Action: Holding the energy katana in a two-handed high guard, he steps forward and executes a series of flawless, sweeping vertical and horizontal sword slashes through the air, shifting seamlessly into an ultra-low reverse-grip parry stance. FX & Sound: The glowing amber blade leaves sharp, geometric trails of neon light frozen in the air, slicing falling raindrops in half. SFX: Loud, high-pitched sword swinging gusts "swish-shing" and clean cutting air dynamics. 00:12–00:15 (The Phantom Finish & Absolute Calm) Camera: Frenetic handheld shaky-cam that perfectly stabilizes into a centered portrait shot as the motion completes. Action: He executes a lightning-fast defensive spin backwards, leaving an optical afterimage stance behind him, before bringing the blade down to his side in a traditional ceremonial sword-cleaning motion (Chiburi). The neon weapon dissolves, and he stands straight, exhaling a visible cloud of white steam. FX & Sound: The afterimage shatters into harmless orange embers. The final stance sends a non-destructive cone of kinetic wind pressure toward the lens before all energy quietly dissipates. SFX: Heavy, resonant Kung-Fu movie style double-palm air burst sound effect, fading into the ambient roar of falling rain.
Prompts are credited to their authors under the license shown on each entry. Videos belong to their creators and play from the original source.